A well-crafted movie trilogy represents a significant achievement in filmmaking and often serves as a lucrative prospect for studios. While mainstream trilogies like *The Lord of the Rings* and *The Dark Knight* are widely celebrated, many underrated trilogies exist that deserve recognition for their artistic mastery. This article highlights seven such trilogies, each featuring films that stand out as individual masterpieces.
The Pusher Trilogy
The Pusher Trilogy, comprising *Pusher* (1996), *Pusher II*, and *Pusher 3*, marks the early collaboration between actor Mads Mikkelsen and director Nicolas Winding Refn. The first film introduces viewers to a desperate drug dealer, played by Kim Bodnia, navigating Copenhagen’s criminal underworld. Despite initial plans for a standalone film, Refn expanded this universe due to financial struggles, creating two sequels that delve deeper into the life of crime boss Milo. Critics have praised all three films for their raw realism and exploration of psychological turmoil, setting them apart from typical gangster narratives.
The Apu Trilogy
Directed by Satyajit Ray, the Apu Trilogy includes *Pather Panchali* (1955), *Aparajito*, and *The World of Apu*. Adapted from acclaimed Bengali novels, the series follows the life of Apu, portrayed by different actors throughout his stages of life. The trilogy has garnered universal acclaim and earned a place among cinema’s greatest works. Its influence extends to contemporary filmmakers such as Martin Scorsese and Wes Anderson, showcasing its lasting impact on global cinema.
The Three Colours Trilogy
The Three Colours Trilogy, directed by Krzysztof Kieślowski, features *Three Colours: Blue*, *Three Colours: White*, and *Three Colours: Red*. Each film symbolizes a color from the French flag and explores themes of liberty, equality, and fraternity. Despite their separate narratives, the films are interlinked through character cameos, creating a cohesive world. Released between 1993 and 1994, this trilogy received widespread acclaim, culminating in several Academy Award nominations, particularly for *Three Colours: Red*, which was recognized for its direction and screenplay.
The Death Trilogy
Known for its thematic depth, the Death Trilogy includes *Amores Perros* (2000), *21 Grams*, and *Babel*, directed by Alejandro González Iñárritu and co-written by Guillermo Arriaga. The first film weaves together three interconnected stories set in Mexico City, establishing Iñárritu’s reputation as a visionary filmmaker. Each subsequent film continues this narrative style, receiving numerous accolades. Notably, *Babel* garnered seven Academy Award nominations, highlighting the trilogy’s international acclaim and significant cultural impact.
The Mexico Trilogy
Directed by Robert Rodriguez, the Mexico Trilogy—also referred to as the Desperado Trilogy—comprises *El Mariachi* (1992), *Desperado* (1995), and *Once Upon a Time in Mexico* (2003). Rodriguez’s debut film, made on a minimal budget, gained unexpected success, paving the way for sequels featuring stars like Antonio Banderas. The trilogy is renowned for its engaging storytelling and vibrant music, showcasing Rodriguez’s ability to create compelling cinema on a modest budget. Notably, *El Mariachi* earned a Guinness World Record for being the lowest-budget film to gross over $1 million at the box office.
The Salta Trilogy
Exploring the lives of women in Salta, Argentina, the Salta Trilogy includes *La Ciénaga* (2001), *The Holy Girl*, and *The Headless Woman*, all directed by Lucrecia Martel. The trilogy has been widely acclaimed for its intricate portrayals of gender and identity. Nominations for the prestigious Cannes Film Festival’s Palme d’Or for *The Holy Girl* and *The Headless Woman* further underscore its artistic significance. Despite its arthouse style, the trilogy offers profound insights into Argentine culture and cinema.
The Human Condition Trilogy
Directed by Masaki Kobayashi, The Human Condition Trilogy consists of *No Greater Love* (1959), *Road to Eternity*, and *A Soldier’s Prayer*. Based on Junpei Gomikawa’s novel, this trilogy follows Kaji, portrayed by Tatsuya Nakadai, as he navigates the harsh realities of life during World War II. The films explore the clash between Kaji’s ideals and the brutal truths of war, ultimately presenting a powerful anti-imperial narrative that resonated widely. The trilogy has received high critical acclaim and numerous awards, solidifying Kobayashi’s status as a significant figure in Japanese cinema.
These seven trilogies may not have achieved the commercial success of their mainstream counterparts, but their artistic contributions to cinema are profound. Each collection showcases unique storytelling techniques and explores complex themes, making them worthy of discovery and appreciation.
